UC Blue Ash College

Fourth Biennial Faculty & Staff Exhibition

Roebling, ink and watercolor, 11” x 8.5” (2019)

Roebling, ink and watercolor, 11” x 8.5” (2019)

Exhibit Dates

  • Works by Twenty UCBA Faculty & Staff
  • Organized by H. Michael Sanders, Nicole Trimble and John Wolfer
  • April 15 – April 26, 2019
  • Closing Reception on Friday, April 26, 2019 from 5:00-7:00 PM

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Introduction to the Fourth Faculty & Staff Biennial

By H. Michael Sanders

Our fourth biennial exhibition showcases the work of twenty active artists and scholars all making significant contributions to the arts, enhancing dissemination of research through visual representation in their respective disciplines, and promoting student success in academic programs at UC Blue Ash College.

The twenty participating artists make their academic homes a variety of departments at the college including: Art & Visual Communication, Electronic Media Communications, English & Communications, Foreign Language, Math, Physics & Computer Science, and Accessibility Resources. The over fifty works on display produced by these artists encompass a broad array of media types: drawing in charcoal, colored pencil and graphite; painting in acrylic, oil and watercolor; photography and photo-collage; video; and mixed media constructions.

An eclectic show such as this is always a treat toward the end of the Spring semester, to survey the incredible variety of creative work being done at the college, and wallow in the visual pleasures that are able to spring forth completely free of constraints and curatorial structure.

List of Artists & Works

Indiana farm landscape

Indiana Landscape, color photograph (C-print from digital file), 12” x 18” (2017)

Helen Adams-BordersElectronic Media Communications

  • Blue Ash Landscape, color photograph (C-print from digital file), 12” x 18” (2017)
  • Indiana Landscape, color photograph (C-print from digital file), 12” x 18” (2017)
  • Illinois, color photograph (C-print from digital file), 12” x 18” (2017)
old doorknob

Unlocked, photograph (gelatin-silver print from digital file), 12” x 18" (2017)

Eric Anderson | Electronic Media Communications

  • Emerging, photograph (gelatin-silver print from digital file), 16” x 24" (2018)
  • Passage, photograph (gelatin-silver print from digital file), 16” x 24" (2018)
  • Unlocked, photograph (gelatin-silver print from digital file), 12” x 18" (2017)
In Bloom, watercolor (2 panels), 5” x 7” (2011)

In Bloom, watercolor (2 panels), 5” x 7” (2011

Jody BallahForeign Language

  • Alberta Barn, watercolor, 5” x 7” (2005)
  • In Bloom, watercolor (2 panels), 5” x 7” (2011)
  • Spring Lilac, watercolor, 8” x 10” (2006)
“Vampires,” video screencap, 6:41 (2018)

“Vampires,” video, 6:41 (2018)

Matt BennettElectronic Media Communications

  • Feeding on the Rhythm: Three Détournements Concerning Consumption - "Mary's Last Party," video, 4:55 (2019)
  • "Naked Lunch," video, 4:00 (2019)
  • “Vampires,” video, 6:41 (2018)
Juno Beach Bunker, photograph (C-print from digital file), 8” x 10” (2018)

Juno Beach Bunker, photograph (C-print from digital file), 8” x 10” (2018)

William BoyleElectronic Media Communications

  • Point du Hoc Bunker Ceiling, photograph (C-print from digital file), 8” x 10” (2018)
  • Juno Beach Bunker, photograph (C-print from digital file), 8” x 10” (2018)
  • Paris Street Art, photograph (C-print from digital file), 8” x 10” (2018)
Untitled, digital photo-collage (inkjet on aluminum from digital file), 20” x 30” (2019)

Untitled, digital photo-collage (inkjet on aluminum from digital file), 20” x 30” (2019)

Janice BravermanArt & Visual Communication

  • Untitled, digital photo-collage (inkjet on aluminum from digital file), 20” x 30” (2019)
watercolor painting of a dog

George, watercolor, 8.5” x 11” (2017)

Jennifer ClementsMath, Physics & Computer Science

  • George, watercolor, 8.5” x 11” (2017)
  • Roebling, ink and watercolor, 11” x 8.5” (2019)
Drawing Subject Drawing 2, charcoal and gesso on paper, 43.5” x 30” (2018).

Drawing Subject Drawing 2, charcoal and gesso on paper, 43.5” x 30” (2018).

Mark HanavanArt & Visual Communication

  • Drawing Subject Drawing 2, charcoal and gesso on paper, 43.5” x 30” (2018).
  • Drawing Subject Drawing 3, charcoal and gesso on paper, 43.5” x 30” (2018).
  • Drawing Subject Drawing 4, charcoal and gesso on paper, 43.5” x 30” (2018).
Cat Mambo, colored pencil on paper, 11” x 14” (2019)

Cat Mambo, colored pencil on paper, 11” x 14” (2019)

David HartzElectronic Media Communications

  • Haint, colored pencil on paper, 11” x 14” (2019)
  • Good Book, colored pencil on paper, 11” x 14” (2019)
  • Cat Mambo, colored pencil on paper, 11” x 14” (2019)
Milky Way, acrylic on canvas, 48” x 48” (2017)

Milky Way, acrylic on canvas, 48” x 48” (2017)

John KraimerAccessibility Resources

  • Black Hole, acrylic on canvas, 48” x 48” (2017)
  • Milky Way, acrylic on canvas, 48” x 48” (2017)
  • Man on the Moon, acrylic and sand on canvas (two panels), Panel 1-20” x 20”, Panel 2- 12” x 15” (2013)
Armored Horse, Cincinnati Coney Island Carrousel, giclee print on Pearl paper (after original oil), limited edition of 900, 22” x 28” (2011)

Armored Horse, Cincinnati Coney Island Carrousel, giclee print on Pearl paper (after original oil), limited edition of 900, 22” x 28” (2011)

William MalczanArt & Visual Communication

  • Armored Horse, Cincinnati Coney Island Carrousel, giclee print on Pearl paper (after original oil), limited edition of 900, 22” x 28” (2011)
Moscow, Ohio, photograph (C-print from digital file), 10” x 30” (2017)

Moscow, Ohio, photograph (C-print from digital file), 10” x 30” (2017)

Guennadi MaslovElectronic Media Communications

  • Hamilton, Ohio, photograph (C-print from digital file), 10” x 30” (2014)
  • Centralia, Pennsylvania, photograph (C-print from digital file), 10” x 30” (2016)
  • Moscow, Ohio, photograph (C-print from digital file), 10” x 30” (2017)
Foot (à la Bargue), graphite on paper, image 3.5” x 5.5”, framed 5” x 7” (2012)

Foot (à la Bargue), graphite on paper, image 3.5” x 5.5”, framed 5” x 7” (2012)

Lou OlenickElectronic Media Communications

  • Dancing Horse, graphite on paper, image 3.5” x 5.5”, framed 5” x 7” (2012) Foot (à la Bargue), graphite on paper, image 3.5” x 5.5”, framed 5” x 7” (2012)
  • Torso, graphite on paper, image 3.5” x 5.5”, framed 5” x 7” (2012)
Toodles, Series I: "Take This, Picasso!," photograph (C-print from digital file), 5" x 7" (2017)

Toodles, Series I: "Take This, Picasso!," photograph (C-print from digital file), 5" x 7" (2017)

Rhonda PettitEnglish & Communications

  • Toodles, Series I: "Water Strider," photograph (C-print from digital file), 5" x 7" (2017)
  • Toodles, Series I: "Take This, Picasso!," photograph (C-print from digital file), 5" x 7" (2017)
  • Toodles, Series I: "Fugitive Peace," photograph (C-print from digital file), 5" x 7" (2017)
  • Toodles, Series I: "Something I Said?," photograph (C-print from digital file), 5" x 7" (2017)
  • Toodles, Series I: "Genesis Again," photograph (C-print from digital file), 5" x 7" (2017)
A Reasonably Accurate Clock, rectified readymade (modified metal clock, engraved metal plate, and digital image on paper in glass bell jar with wooden base), object - 7” x 6.25” x 3”, bell jar - 10.25” h x 8” diameter (2018)

A Reasonably Accurate Clock, rectified readymade (modified metal clock, engraved metal plate, and digital image on paper in glass bell jar with wooden base), object - 7” x 6.25” x 3”, bell jar - 10.25” h x 8” diameter (2018)

H. Michael SandersElectronic Media Communications

  • A Reasonably Accurate Clock, rectified readymade (modified metal clock, engraved metal plate, and digital image on paper in glass bell jar with wooden base), object - 7” x 6.25” x 3”, bell jar - 10.25” h x 8” diameter (2018)
  • Poemlets No. 1, color photocopy (electrostatic print from digital photocollage), 8.5” x 11” (2019)
  • Glowing Orb Triptych, photograph (C-print from digital file), 30” x 15” (2019)
  • Scotch Tape Triptych, photograph (C-print from digitized 35mm transparency), 30” x 15” (2018)
Daitoku-ji Temple, Kyoto, Japan, photograph (C-print from digitized pinhole negative), 12” x 12” (1999)

Daitoku-ji Temple, Kyoto, Japan, photograph (C-print from digitized pinhole negative), 12” x 12” (1999)

Patrick SchreiberArt & Visual Communication

  • Daitoku-ji Temple, Kyoto, Japan, photograph (C-print from digitized pinhole negative), 12” x 12” (1999)
  • Kiyomizu-dera Temple, Kyoto, Japan, photograph (C-print from digitized pinhole negative), 12” x 12” (1999)
Young Andean Vendor - Sacred Valley, Peru, photograph (C-print from digital file), 12” x 7” (2015)

Young Andean Vendor - Sacred Valley, Peru, photograph (C-print from digital file), 12” x 7” (2015)

Neil SharrowElectronic Media Communications

  • Door Peel - Lyon, France, photograph (C-print from digital file), 12” x 9” (2007)
  • Room with a View - Amantani Island, Peru, photograph (C-print from digital file), 7” x 12” (2015)
  • Young Andean Vendor - Sacred Valley, Peru, photograph (C-print from digital file), 12” x 7” (2015)
Pink, oil on canvas, 24” x 18” (2014)

Pink, oil on canvas, 24” x 18” (2014)

Nicole TrimbleElectronic Media Communications

  • Pink, oil on canvas, 24” x 18” (2014)
  • Clutter, oil on canvas (diptych), 20” x 32” (2014)
  • Among the Tall Grass, oil on canvas, 36” x 60” (2018)
#3 - Elysium Lake, oil over acrylic on watercolor paper, 6” x 6” (2018)

#3 - Elysium Lake, oil over acrylic on watercolor paper, 6” x 6” (2018)

Mary Sue WeinsteinArt & Visual Communication

  • Persephone: A Four Part Painting Series
  • #1 - Persephone, oil over acrylic on watercolor paper, 5 5/16” x 6 15/16” (2018)
  • #2 - Flowers of the Earth, oil over acrylic on watercolor paper, 6” x 6” (2018)
  • #3 - Elysium Lake, oil over acrylic on watercolor paper, 6” x 6” (2018)
  • #4 - Sanctuary of Animals, oil over acrylic on watercolor paper, 5” x 7” (2018)
Mercury's Test (Rivers Don't Always Give Axes), acrylic, found objects, and screen print on board, 27” x 22” (2018)

Mercury's Test (Rivers Don't Always Give Axes), acrylic, found objects, and screen print on board, 27” x 22” (2018)

John WolferArt & Visual Communication

  • Mercury's Test (Rivers Don't Always Give Axes), acrylic, found objects, and screen print on board, 27” x 22” (2018)
  • Three Clever Brothers (Honesty is the Best Policy), acrylic, found objects, with screen print on board, 18” x 56” (2018)

Resources

Contact Information

Phone: 513-936-1712
Email: bagaller@ucmail.uc.edu